The Painted Pictures of Mary Ward
The first word that Mary uttered was 'Jesus', after which she did not speak again for several months.
The Painted Life of Mary Ward stands as a testament to a remarkable woman's spiritual journey, depicted through a series of fifty paintings, albeit with three now lost to time. These paintings, each measuring 142 x 105 cm, offer a visual narrative of Mary Ward's life and spiritual experiences. Located in Germany, these artworks serve as a tangible connection to the past, preserving the legacy of Mary Ward and her companions.
The origin of these paintings remains somewhat shrouded in mystery. It is believed that they were created by multiple artists, possibly from a painting school situated between Austria and Northern France, during the latter half of the seventeenth century. The idea to commission these paintings likely stemmed from Mary Ward's companions, who sought to capture the essence of her spiritual journey in a visual medium. Drawing inspiration from similar depictions of saints' lives, such as those found in Assisi or Rome, the companions envisioned a series of paintings that would convey the depth of Mary Ward's spiritual experiences.
Each painting in the series tells a story, depicting significant moments in Mary Ward's life and the guidance she received from God. The early paintings, characterized by intricate details and vivid storytelling, chronicle Mary Ward's upbringing, her call to religious life, and the founding of her institute. As the series progresses, the focus shifts to Mary Ward's profound spiritual encounters, which may not be as well-documented in written sources.
Interestingly, the paintings exhibit different artistic styles, suggesting the involvement of multiple artists in their creation. Some display meticulous attention to detail, while others convey a sense of spiritual depth through symbolic imagery and gestures. It is evident that Mary Ward's companions played an active role in collaborating with the artists, sharing their insights and experiences to ensure the authenticity of the depictions.
The significance of these paintings extends beyond mere artistic expression. They serve as a vital record of Mary Ward's life and teachings, offering a glimpse into the spiritual journey of a woman ahead of her time. However, their existence was not without controversy. At various points in history, ecclesiastical authorities ordered their removal from public display, citing reasons such as the portrayal of Mary Ward's visions and her depiction in underclothing in certain paintings.
Despite these challenges, the paintings persevered, hidden away during times of peril, such as the Second World War, to emerge unscathed and find a new home in the Mary Ward school in Augsburg. Over time, their significance became more widely recognized, particularly following the reforms of Vatican II, which prompted a renewed appreciation for Mary Ward's legacy and the spiritual richness encapsulated in the Painted Life.
Today, these paintings stand as a precious heritage, akin to the "Way of the Pilgrim" of St. Ignatius of Loyola, offering insight into the life and spirituality of Mary Ward and serving as a source of inspiration for future generations. Their journey from obscurity to prominence reflects the enduring impact of Mary Ward's vision and the resilience of those who sought to preserve her legacy against all odds. As they hang in the Mary Ward Hall, they continue to bear witness to the transformative power of faith and the enduring legacy of a woman who dared to follow her inner calling.